Emily Coy

Part 1

Mask Selfie, 2020, linocut, 8×10 inches

Hello, friends! My name is Emily Coy. I am a painter, drawer, printmaker, and illustrator. In my work, I focus on place, memory, and time. I have found that it is important to me to try to authentically grasp the details of life around me before I forget them. While I am aware that forgetting parts of life is inevitable, there is still a yearning to record normalcy.  I try to focus on capturing the normal day-to-day because it can be easier to forget. When looking at my art, I want it to be a place of rest and reminiscence for the mind. 

Fam Print, 2020, linocut, 14×11 inches

I was privileged enough to be able to take Whitworth’s printmaking class. There I had access to the equipment needed to learn of my love for printmaking. I specifically grew attached to the linocut process. Each step is therapeutic in its intentional nature. I have also learned that I prefer bold colors, shapes and lines in my work because oftheirpermanent and stable feel.  The linocut process lends itself well to creating this aesthetic. The ability to repeat an image satisfies my creative soul in ways I cannot fully understand. Through printmaking, I can create patterns that correlate tothe patterns I find in my life. The peaceful process, the boldness and the ability to create repetition are why I gravitate towards linocut printmaking. 

November, 2020, 2020, linocut, 8×10 inches

This piece was created over the Fall of 2020. It was the first school year that started with COVID-19 and all of itsrestrictions. I was learning what it meant to slow down, to pay attention and to breath. I have experienced a whole array of emotions being contained within a space. No one argues with the fact that being kept in one place for months on end comes with its challenges. There were some interesting things I learned about myself and those living with me as well. Living with seven other roommates during the fall, there would be plenty of times where we would gather in the living room, watching Harry Potter, doing homework, catching up, and I would be embroidering on this piece of printed fabric. Each section that is embroidered has a different memory attached to it. I remember a certain mood I was feeling while working on a certain area. This fabric is my diary for the Fall of 2020, stuck in my house, full of good, bad and in-betweens. 

Quarantined, 2020, linocut and embroidery on muslin fabric, 24×36 inches

Part 2

Window, 2021, Digital illustration

While I have always sketched little cartoons in the margins of every one of my notebooks, illustration is an area where I have been wanting to truly grow for a while. I had plans to study abroad at The University of Plymouth in the UK and enroll in their Illustration track in the Fall of 2020. Unfortunately, due to COVID-19 restrictions, I was unable to attend. Since then, I have been determined to develop my illustration style by practicing on a program called Procreate, watching hours of instructional videos, and researching illustrators on my own.

House on North Hill, 2021, Digital Illustration

One of my core values in artmaking is to create from an authentic inner place. Authentic artmaking results in work that reflects snippets from life around me, in every medium. Some of these illustrations are still-life’s, and others are adaptations from my memory. I illustrate with a mix of bold and soft colors, flat color planes, slightly distorted proportions, and the utilization of negative space in the image overall. Illustration and children’s books are intertwined in my mind, so I often create while channeling my childlike nature. This is why I am hoping to one day illustrate children’s books. 

Spring Shadows, 2021, Gouache, 8×10 inches
Women!, 2021, Digital Illustration
Thank you, Madelyn, 2021, Digital Illustration
Countertop, 2021, Digital Illustration

Part 3

Stay home, 2020, watercolor, 10×8 inches

Out of all of the media I currently work with, I have been painting for the longest amount of time, mainly acrylic and oil but more recently watercolor as well. Throughout high school and the first couple of years of college, I would strive for realism in my paintings. I wanted to capture accuracy in color, proportion, texture, and space. As my content developed, I have allowed myself to move away from realism in visual representation and focus more on composition. I wanted to elevate the “normal” parts of life and to do this, I decided to begin experimenting with cropping. I believe there is a connection between the visual aspect of cropping an image and the concept of being present to the small details surrounding me. In the process of creating my composition, I decide what to include and what to crop out. I think there is truth in snippets. All we have is our limited perspective but there is validity in our experiences. This is what I hope to convey.

The Art Building, 2020, watercolor, 10×8 inches 
Courts, 2020, watercolor, 6×6 inches
Wash, 2020, watercolor, 6×6 inches
Water, 2021, acrylic, 24×12 inches

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